Monday, May 14, 2018
Warren Pembroke has lived his whole life with his deformity and he plans to make the world pay.
A mixture of devil-worship, sacrifice, and drugs...
"The hallucination began. It started with his right hand— the deformed hand— growing and stretching into a goat's hoof. He watched with terrified fascination as the nubs where his truncated fingers had been hardened into a resin of dead keratin cell tissue. A layer of wooly goat fur sprouted down his forearm, across his wrist, and over the newly formed animal foot. The effect never ceased to amaze and terrify him. Warren knew the metamorphosis was only a hallucination, a temporary alteration that allowed him to commune with the Dark Lord, so he pushed the fear away and searched for the power behind it."
"Tobacco Joe" Walton made a deal with Ol' Scratch when he was just a young man. Joe became a famous bluesman, but the devil seldom plays fair and he spent most of his life in prison. He's being released at age sixty-seven and Scratch is not done with him yet.
Reporter, Erik Marsh, is done with the crime beat. The lifestyle has cost him his marriage and it's time for something different, but someone forgot to tell one criminal in particular.
Add to the mix a street performer, the amazing Svetlana Barnyck of the Carpathian Great and Tiny Circus.
All of these diverse threads and more are woven into a compelling tale that is as far-fetched as it is believable. OK, some parts are more believable than others, but it's still a good yarn.
This is the second time I've encountered Devil's Breath in a story. The first time was in Greg F. Gifune's novel of the same name. This is a very powerful drug and plays an important part in the story.
There's even a sly reference to Frank Dodd, a character from Stephen King's Dead Zone. Quite plausible as both stories are set in the same general area.
There is no happy ending in The Goat Parade. I really like that in my horror as more often than not, there are no happy endings in real life, either.
The Goat Parade is available in paperback and e-book formats from Grinning Skull Press.
From the author's bio - Peter N. Dudar was born and raised in Albany, NY. A graduate of Christian Brothers Academy and an alumnus of the University at Albany, he moved to Maine in 1995 and began his writing career shortly after. His first novel, A Requiem for Dead Flies, was a finalist for the Bram Stoker Award in 2013. His other books, The Angel of Death, Dolly and Other Stories, Where Spiders Fear to Spin, and Blood Cult of the Booby Farmers, continue to draw critical praise and adoration from genre fans everywhere. His short fiction can be found in numerous horror anthologies and literary websites. Dudar is a proud member of the New England Horror Writers and is a founding member of the writer's group, The Tuesday Mayhem Society. He currently lives in Lisbon Falls, Maine with his wife and daughters.
The Sophomore Jinx
Peter N. Dudar
I have a new novel out right now. Back in February, Grinning Skull Press released THE GOAT PARADE, which is the follow-up to my debut novel A REQUIEM FOR DEAD FLIES (released back in 2012). That’s a six-year span between books, and consequently six long years that I’ve been sweating out the Sophomore Jinx.
That’s not to say that I’m superstitious or anything like that. I don’t go around throwing salt over my shoulder or avoid stepping on cracks as I wander down the sidewalk. But the Sophomore Jinx is a real thing and I’d been warding off heart palpitations and anxiety attacks all the way up to the book’s release. I’m not saying this because I’m conceited or have an enormous ego, but part of me believes that it’s because my first book, REQUIEM, got a lot more praise and success than it probably should have. That book got lots of attention and wound up being a finalist for the Bram Stoker Award (for debut novel category) in 2013. Back then, it was a weird, exciting ride for me because I’d been writing and publishing short fiction for nearly two decades and readers still had no idea who I was. It felt good to finally be read. It felt good to taste success.
But my brain is pretty complicated, and even though I was enjoying myself for the moment I kept thinking that my next novel needs to be better. It needs to have more conflict and sharper characterization and really knock readers off their feet. I need for this to happen because I need to prove to myself that the first book’s success wasn’t a fluke. I don’t want to be that writer who falls to the Sophomore Jinx, where my career starts its downhill slide right after getting that first taste of success. And I really didn’t want to see bad reviews on Amazon, where readers were claiming that the new book was nowhere as near as good as REQUIEM.
I don’t want my debut novel to be the benchmark by which everything else I write gets judged.
Imposter Syndrome is a very real thing for some of us authors. As I’ve said, I’ve been writing and publishing fiction for a long time now, and I still get nervous when going to conferences and conventions because a part of me feels like I haven’t earned my place yet. And that’s ridiculous because, even if I haven’t been putting out full-length novels, I still managed to release three novellas and a full-length collection of short stories since my debut novel was released. It’s not like I’ve been sitting around doing nothing. It’s just that part of me felt intimidated by the Sophomore Jinx, and wouldn’t commit to writing a novel until I was sure I had a great story to tell. Three whole years would pass by after REQUIEM before I started writing THE GOAT PARADE.
The new book was cobbled together from a lot of failed story ideas from my past. Foremost, it was supposed to be a screenplay in homage to Giallo films that author L.L. Soares and I talked about writing. It was going to be a very visceral murder mystery, and I had developed this idea of a hard-drinking, broken down crime beat reporter who ends up falling in love with a movie star, only she was going to get killed and the murderer was going to pin the crime on him. But both of us had other projects going on at the time, with Soares releasing his novels ROCK N’ ROLL and HARD in fairly close succession. The idea never left me, though, and that was the starting point when I sat down and began typing.
But I’d also had a story idea about an old Bluesman who’d traded his soul to the Devil for talent and success, but then never got to use it because he was tricked into committing a terrible crime and going to prison. That idea was at least a decade old, and meant to be a short story, but I always felt like there was more to “Tobacco Joe” Walton’s story than I understood at the time, so I left that one on the back burner until I could discover where it was meant to be used. And on the opposite side of that coin are Rufus and Leon Hickey, the brothers who killed Joe’s father and raped his mother when he was a boy. They are the antagonists that Joe exacts revenge on, that land him in prison. Those boys came from a failed novel I wrote years ago called AMONG THE LIVING, which was a mix between Ken Kesey’s FLOWERS FOR ALGERNON and H.P. Lovecraft’s HERBERT WEST, REANIMATOR.
That book was poorly written and dreadfully executed by a young neophyte author who has improved his craft enormously since then. Perhaps one day I’ll brush that one off and see if it’s salvageable.
The final touch was coming up with a storyline about the Omniscient Eye, which allows Svetlana Barnyck the ability to see into other people’s souls. That concept has always been terrifying to me; that someone else could see what I was thinking or somehow invade my private memories without permission. If someone were to ever have that ability, I’d hope and pray they’d put it to good use and help people rather than use it for their own power and personal gain. And, of course, they’d have to hide it so that others wouldn’t try to steal it.
Once I had all of these ideas, it was a matter of connecting dots and plot points, creating tone and atmosphere, developing conflicts, and maintaining precise continuity. Which wasn’t easy. The first draft was a mess. I’d worked without a proper outline and it was enormously evident when I reread and started revisions. I had to grab an old spiral-bound notebook and create a proper outline, where I could plot the chronology of events and organize character arcs correctly. Then I really went to work.
The time span from when I began writing to the day I got my acceptance from Grinning Skull Press was nearly two years. And that is a hell of a long time compared to some of my colleagues, who can sit down and write books with ease and precision in very little time.
I’ve mentioned Imposter Syndrome above, and that’s a great part of it. Honestly, I’ve never felt as if I was going to turn my writing into a professional career—it’s something that I do as a hobby and because I love the craft of writing. You’ve heard other authors claim, “I’d write anyway, even if nobody read my work and I wasn’t getting paid for it!” There’s a degree of truth to that, but still…it’s enormously rewarding to have people read your work. It’s even better when someone posts a 5-star review on Amazon. It gets addictive. It becomes important that readers see that you’ve improved since your last book. You don’t want to feel like they’ve wasted their time reading your book, and you really don’t want to feel like you’ve wasted your time writing it. That’s the risk you take being an artist.
Sunday, May 6, 2018
If you follow Nick Cato's SUBURBAN GRINDHOUSE MEMORIES column at the CINEMA KNIFE FIGHT website, you likely have a good idea of his taste in horror. If you're not familiar with his work there, the subtitle for Death Witch: A Rape/Revenge Thriller, should give you some idea. If you are offended by the subject matter, you may want to steer clear of the author's latest novella. But, if you're up for it, get ready for a thrill ride as Cato pulls no punches.
After being beaten and stabbed by her former boyfriend, Beth Werner has moved from NYC to just outside Fultonville, NY. Her attempt at a fresh start doesn't quite work out. Raped by four men who saw her at a bar and followed her home, she begins to plan her revenge. Not giving anything away here, it's all in the title, after all. Throw in a bit of the occult and you have a taut text of sixty pages.
Recommended with the warning above.
Death Witch: A Rape/Revenge Thriller will be published later this year by Dynatox Ministries.
From the author's bio - Nick Cato is the author of one novel, six novellas, and one short story collection. He writes the SUBURBAN GRINDHOUSE MEMORIES column for the acclaimed website, CINEMA KNIFE FIGHT. A collection of his column in book form is forthcoming. His next novel is titled, Lovers.